The centerpiece of the exhibition is a video/virtual-reality installation (2021) of the same title, a speculative documentary that narrates the story of a spiritual medium known as Piña. Piña, Why is the Sky Blue? is an affirming techno-feminist vision of a future in which ancestral knowledge and new technologies converge. The show seeks to express a sense of art’s utopian horizon-a generative space of desire, experimentation, and queer relationality aligned with what he described as “ecstatic time.” Featuring twenty-five works that range from early performance videos by Joan Jonas to the allegorical and animated worlds of Jacolby Satterwhite, the exhibition insists on the possibility of “something else, something better, something dawning.” The group exhibition at dawn draws connections between techniques of image production and the social and political work that goes into imagining alternatives to what the late Cuban American thinker José Esteban Muñoz called our “poisonous and insolvent” present. On 27 April, 4–10 pm, you will have the opportunity to see the new group exhibition at dawn as well as Piña, Why is the Sky Blue? byStephanie Comilang and Simon Speiser.
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We are pleased to celebrate with you the opening of our exhibitions at JSC Berlin. Video games are to the twenty-first century what movies were to the twentieth century and novels to the nineteenth century.”
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Many people spend hours every day in a parallel world and live a multitude of different lives. In the words of the curator Hans Ulrich Obrist: “In 2021 2.8 billion people-almost a third of the world’s population-played video games, making a niche pastime into the biggest mass phenomenon of our time. WORLDBUILDING examines the relationship between gaming and time-based media art with a journey through various ways in which artists have interacted with video games and made them into an art form. 2022 marks fifteen years since the opening to the public of the first exhibition space of the JULIA STOSCHEK COLLECTION in Düsseldorf, which was followed by the opening of the Berlin space in 2016.Īs one of the world’s most comprehensive private collections with a focus on time-based art, the JULIA STOSCHEK COLLECTION has organized more than forty exhibitions as well as additional activities and international collaborative projects devoted to the public presentation, conservation, and research of artworks from the 1960s to the present.Ĭurated by Hans Ulrich Obrist to celebrate the fifteenth anniversary of the JULIA STOSCHEK COLLECTION, the group exhibition WORLDBUILDING: Gaming and Art in the Digital Age opens in Düsseldorf this June.